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Small Ensemble

Sores and parts available on request or from the Australian Music Centre, where indicated

Airbender (2018) 12’

for bassoon and string quartet

Written for Matthew Kneale and Omega Ensemble

Archival recording available

Bend/Boogie/Break (2018) 10’30”

for flute, clarinet/bass clarinet, violin, cello, keyboard, and percussion

Commissioned by and first performed by Ensemble Offspring

Lobster Tales and Turtle Soup (2016) 12’

for flute/piccolo, clarinet/bass clarinet, violin, cello, percussion and piano

First performed by Eighth Blackbird at Perth International Arts Festival, February 20, 2017. Commissioned by Musica Viva Australia with support from Geoff Stearn and the Hildegard Project.

Score and parts available via the Australian Music Centre

Vibe Rant (2016) 7’

for flute/piccolo, bass clarinet/clarinet, and vibraphone

A sister piece to Frogstomp, written for and first performed by Ensemble Offspring, Kontiki Racket, Sydney, 12 November, 2016. Commissioned privately.

Score and parts available from the Australian Music Centre

Frogstomp (2015) 5’

for flute/piccolo, bass clarinet, and percussion

Written for and first performed by Lamorna Nightingale, Jason Noble, and Joshua Hill for the Limelight Australian Composition Seminar, Santa Sabina College, Strathfield, 26 July, 2015. Commissioned privately.

Score and parts available from the Australian Music Centre

Version 2.0 available for flute/piccolo, baritone sax, and percussion

The Mad Hatter's Tea-Party (2018) 17’

for narrator, flute/piccolo (Alice), clarinet/bass clarinet (The Mad Hatter), violin (March Hare), cello (Dormouse), and percussion (Time).

Commissioned by and first performed at the 2018 Canberra International Music Festival.

Archival recording available

Blast (2018) 4’

for clarinet, alto saxophone, vibraphone/bass drum/hi-hat, cello, and double bass

Commissioned by and to be first performed by MLC School

Suitable for high school ensemble

Balderdash (2017) 14’

for string quartet

Written for the 2018 Melbourne International Chamber Music Competition. Commissioned by Musica Viva and Silo Collective.

Score and parts available via the Australian Music Centre

Flash Point (2017) 7’

for amplified shakuhachi and string quartet

Written for Riley Lee and Enigma Quartet as part of Five Elements

Brake Dance (2016) 6’ 30”

for percussion and piano

Written for and first performed by Timothy Phillips and Michael Kieran Harvey, Creativity Unlimited, Western Sydney University, September 2, 2016.

Tweedledrum (2014) 10’

for percussion duo

Written for and first performed by The Riot Ensemble percussionists Sarah Mason and James Leveridge, 6 November, 2014, St. Leonard's Church, Shoreditch, London. Commissioned by The Riot Ensemble.

Playing score available from the Australian Music Centre

A Mad Tea-Party (2009/2018) 7’

for Clarinet and electronics

New 2018 version now available

Written for and first performed by Jason Noble, October 28, 2009, Creative Explosion in the West, University of Western Sydney Playhouse Theatre