Small Ensemble

Feel free to ask for a perusal score of any listed work.

Lobster Tales and Turtle Soup (2016) 12’

for flute/piccolo, clarinet/bass clarinet, violin, cello, percussion and piano

First performed by Eighth Blackbird at Perth International Arts Festival, February 20, 2017. Commissioned by Musica Viva Australia with support from Geoff Stearn and the Hildegard Project.

Vibe Rant (2016) 7’

for flute/piccolo, bass clarinet/clarinet, and vibraphone

A sister piece to Frogstomp, written for and first performed by Ensemble Offspring, Kontiki Racket, Sydney, 12 November, 2016. Commissioned privately.

Score and parts available from the Australian Music Centre

Frogstomp (2015) 5’

for flute/piccolo, bass clarinet, and percussion

(Version 2.0 available for flute/piccolo, baritone sax, and percussion)

Written for and first performed by Lamorna Nightingale, Jason Noble, and Joshua Hill for the Limelight Australian Composition Seminar, Santa Sabina College, Strathfield, 26 July, 2015. Commissioned privately.

Score and parts available from the Australian Music Centre

Red Queen, White Queen, Alice and All (2013) 13’

for B♭ Clarinet, bassoon, violin, viola, double bass, and piano

Winner of the 2013 Pyeongchon Art Hall International Chamber Music Composition Competition, and the Australia and Pacific Prize for the 2014 Zvi Zeitlin Memorial International Composers Competition. 

First performed by Hwaum Chamber Orchestra, 2 November, 2013, Pyeongchon Art Hall, Anyang, South Korea


‘A’ is for Alice (2010) 6’

for piano

Written for and first performed by Antonietta Loffredo, 19 August, 2010, University of Western Sydney Performance Space and 19 October, 2010, Associazione Giosue Carducci, Como, Italy

A Mad Tea-Party (2009) 5’

for Clarinet and electronics

Written for and first performed by Jason Noble, October 28, 2009, Creative Explosion in the West, University of Western Sydney Playhouse Theatre

The Mad Hatter's Tea-Party (2018) 13’

for narrator, flute/piccolo (Alice), clarinet/bass clarinet (The Mad Hatter), violin (March Hare), cello (Dormouse), and percussion (Time).

Commissioned by and first performed at the 2018 Canberra International Music Festival.

Balderdash (2017) 14’

for string quartet

Written for the 2018 Melbourne International Chamber Music Competition. Commissioned by Musica Viva and Silo Collective.

Flash Point (2017) 7’

for amplified shakuhachi and string quartet

Written for Riley Lee and Enigma Quartet as part of Five Elements

Brake Dance (2016) 6’ 30”

for percussion and piano

Written for and first performed by Timothy Phillips and Michael Kieran Harvey, Creativity Unlimited, Western Sydney University, September 2, 2016.

Tweedledrum (2014) 10’

for percussion duo

Written for and first performed by The Riot Ensemble percussionists Sarah Mason and James Leveridge, 6 November, 2014, St. Leonard's Church, Shoreditch, London. Commissioned by The Riot Ensemble.

Playing score available from the Australian Music Centre

Take Care of the Sense, and the Sounds Will Take Care of Themselves (2011) 45’

Five movements for B♭ Clarinet, bassoon, 2 percussion, violin, and piano

First performed by members of the National Taiwan Normal University Orchestra, 28 November, 2011, 29th Asian Composers League Conference and Festival, Soochow University Performing Arts Centre, Taiwan