Congratulations to the Goldmund Quartet for receiving First Prize in the string quartet division and the Quartet Commission Prize for the best performance of my work! And, of course, congratulations to Trio Marvin on receiving the Grand Prize.
Balderdash Program Note
Balderdash begins and ends with amplifier feedback: a sound that quickly makes us bring our fingers to our ears! The piece imagines an alternate world in which music is heard between the feedback – a sort of sub/hyper-snic sound world which takes place in mere seconds.
With this in mind, the string quartet explores musical ideas inspired by electric guitar, including distortion, white noise, whammy bars, power-chords, dive-bombs, wah-wah, phaser effects, slap bass, and of course, speaker feedback. Balderdash makes high use of punk rock rhythms, dissonance, and percussive-based jams, which morph in and out of bluegrass, grunge, prog-rock, metal, and . . . disco.
Given the piece was commissioned for a competition, I felt it might be fun to experiment with a battle-of-the-bands theme within the string quartet itself. Throughout Balderdash, players go rogue (especially the cello!), engage in one-upmanship, jam, duel, challenge, compete, interrupt, surrender, work together in teams, and cooperate as one. The piece is intended to be theatrical and encourages the quartet to perform with abandon.
I have called the piece Balderdash as it is a term used to refer to nonsense – of which I am quite a fan! The ‘dash’ part also resonates with the high intensity nature of the work, and the sense of moving somewhere quickly.