And Whether Pigs Have Wings (2016) 9’
for soprano, piccolo, flute, 2 B♭ clarinets (+ bass), soprano saxophone, alto saxophone, 2 C trumpets, 2 horns in F, 2 tenor trombones, tuba, 2 percussion (1 = drum kit), bayan/accordion, piano, electric piano, and strings
Commissioned by RKST21 (Ereprijs/HGO) and to be first performed by Caroline Cartens and RKST21, 13 February, 2016, Musis Sacrum, Arnhem, The Netherlands.
Shoes and Ships and Sealing Wax (2015) 8’
for piccolo, flute, B♭ clarinet, soprano/baritone saxophone, alto saxophone, C trumpet, horn in F, 2 tenor trombones, tuba, electric guitar, bass guitar, piano, and drum kit
Commissioned by and first performed by Orkest de Ereprjis, 22 February, 2015, 21st Young Composers Meeting Opening Concert, City Hall, Apeldoorn, The Netherlands.
Jabberwock (2015) 8’ 30”
for flute/piccolo, B♭ clarinet, contrabasson, horn in F, B♭ trumpet, tenor trombone, percussion (drum kit), 3 violins, 2 violas, cello, and double bass
Written for and first performed by Sydney Symphony Orchestra's 2015 Fellowship Ensemble, 4 October, 2015, Riverside Theatres, Parramatta, Australia.
Cabbages and Kings (2014) 4’
for Mezzo-soprano, piccolo, flute, B♭ clarinet, soprano saxophone, alto saxophone, B♭ trumpet, horn in F, 2 tenor trombones, tuba, electric guitar, bass guitar, piano, and drum kit
Written for and first performed by Enikő Gősi and Orkest de Ereprjis, 1 March, 2014, 20th Young Composers Meeting, Podium Gigant, Apeldoorn, The Netherlands. Awarded the Ereprijs commission.
Radishes and Strings (2014) 5'
for Piccolo, oboe, 2 B♭ clarinets, bassoon, horn, C trumpet, trombone, 2 percussion, piano, 2 violins, viola, cello, and double bass
Written for and first performed by Alarm Will Sound, 26 July, 2014, Mizzou International Composers Festival, Missouri Theatre, Columbia, USA
Fiddlesticks! (2015) 7’
for strings, percussion (at least six players: glockenspiel, high and low plastic buckets, sandpaper blocks, sports whistle, shaker and squeaky toy) and optional rapper/MC (with megaphone)
Commissioned by Sydney Youth Orchestras with the help of private donors, and first performed by SYO's Sinfonietta and Prairiewood High School percussionists, 22 November, 2015, Prairiewood High School Hall, Wetherill Park, Australia.
Frumious (2012) 8’ 30”
Piccolo, oboe, 2 B♭ clarinets, bassoon, 2 horns in F, 2 B♭ trumpets, trombone, tuba, timpani, 2 percussion, and strings
Written for and first performed by the Melbourne Symphony Orchestra for the 2012-2013 Cybec 21st Century Australian Composers Program
The audio posted below is an excerpt from the piece, please feel free to contact me if you are interested in hearing the full recording.
5 February 2013, Melbourne Symphony Orchestra/Brett Kelly, Iwaki Auditorium, ABC Southbank Centre
31 July 2013, Cabrillo Festival Orchestra/Scott Seaton/Chaowen Ting/Kah Chun Wong, Santa Cruz Civic Auditorium, Santa Cruz, USA
16 November 2013, Minot Symphony Orchestra/Scott Seaton, Ann Nicole Nelson Hall, Minot, North Dakota, USA
Boojum (2012) 7’
2 Flutes (1 dbl. picc.), 2 oboes, 2 B♭ clarinets, 2 bassoons, 4 horns in F, 2 B♭ trumpets, 3 trombones (including bass), tuba, timpani, 1 percussion, and strings
Bandersnatch (2013) 9’
for wind ensemble and rock duo (bass guitar and drum kit)
Piccolo, 4 flutes, 2 oboes, E♭ clarinet, 9 B♭ clarinets, bass clarinet, 2 bassoons, 2 alto saxophones, tenor saxophone, baritone saxophone, 4 horns in F, 6 B♭ trumpets, 3 trombones (including bass), euphonium, tuba, timpani, bass guitar, and 3 percussionists (1 = drum kit)
Frogstomp (2015) 4’ 30”
for flute/piccolo, bass clarinet and percussion
Written for and first performed by Lamorna Nightingale, Jason Noble, and Joshua Hill for the Limelight Australian Composition Seminar, Santa Sabina College, Strathfield, 26 July, 2015. Commissioned privately.
Tweedledrum (2014) 10’
for percussion duo
Red Queen, White Queen, Alice and All (2013) 13’
for B♭ Clarinet, bassoon, violin, viola, double bass, and piano
Winner of the 2013 Pyeongchon Art Hall International Chamber Music Composition Competition, and the Australia and Pacific Prize for the 2014 Zvi Zeitlin Memorial International Composers Competition.
First performed by Hwaum Chamber Orchestra, 2 November, 2013, Pyeongchon Art Hall, Anyang, South Korea
Take Care of the Sense, and the Sounds Will Take Care of Themselves (2011) 45’
Five movements for B♭ Clarinet, bassoon, two percussionists, violin, and piano
First performed by members of the National Taiwan Normal University Orchestra, 28 November, 2011, 29th Asian Composers League Conference and Festival, Soochow University Performing Arts Centre, Taiwan
‘A’ is for Alice (2010) 6’
Written for and first performed by Antonietta Loffredo, 19 August, 2010, University of Western Sydney Performance Space and 19 October, 2010, Associazione Giosue Carducci, Como, Italy
A Mad Tea-Party (2009) 5’
for Clarinet and electronics
Written for and first performed by Jason Noble, October 28, 2009, Creative Explosion in the West, University of Western Sydney Playhouse Theatre